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Near Dark is one film excreted by De Laurentiis Entertainment Group, F/M, Near Dark Joint Venture, accompanying a beskrivelse af filmen er ''.Filmen er produceret med fremragende grafisk kvalitet, bedste quality of sound and best bedste skuespillere. Though i f&248 rste are told about denne film er jeg ikke helt sikker if I one of the id&233 or possibly not.Near Dark. Know About this Movie on 123Movies: A small-town farmers son reluctantly joins a traveling group of vampires after he is bitten by a.I was a teenager of the 80's and this is my favorite cult classic. It's not a typical 80s horror film - there's no real jump scares or busty teenagers - aiming instead for a more emotional tale which, like some of Wes Craven's best work, explores family dynamics, juxtaposing a savage, murderous unit against a traditional one.Gideon Wolf. Tristan Shorr is a composer and musician and has been creating solo work under the alias Gideon Wolf since 2012 Gideon Wolf has released most of his albums to date via Fluid Audio / Facture, but has also released an EP with Time Released Sounds in California and Chemical Tapes in the UK. Tristan also works as a film composer.Small-town cowboy Caleb is bitten by, and falls for, the beautiful drifter Mae, without realising she is a vampire.

But he must first kill before he becomes a full vampire.Katherine Bigelow's sophomore effort demonstrated genre-bending excellence before she was known for The Hurt Locker and Zero Dark Thirty. Reviewed in the United States on September 26, 2004. Every month I check the streaming platforms I use to see if Near Dark is available that month.

Off comes a capelet, followed by a jeweled bra, revealing a daintier number underneath. As a mist rises slowly over an enormous bronze clamshell, the striptease artist holds court in a two-piece armature of Swarovski crystals, languidly swaying to a tune called “Sleepy Lagoon.” The camera swoops low near the bivalve’s bottom edge, taking in a balletic leg extension bathed in amber light. That is how Dita Von Teese first takes the stage in Night of the Teese , her immersive filmed showcase that streams for three days beginning October 1.

This is hardly a static, dropped-camera recording of a theater show. Then, as if to signal the curtain: Pop! goes the balloon.“What does it feel like if you get to walk around the stage? What does it feel like to be so close you can see all the details?” Von Teese says by phone from Paris, explaining how she and director Quinn Wilson, together with production by Driift, approached the unconventional filming for this multi-performer event. Is this God? Is this man? Should I someday make an appointment with this man? All the while, as she tosses a wingspan-size, pearly white balloon in the air, Von Teese remains coolly in control: aware of, but not catering to, the audience on the other side of the screen. (With a birthday this week, she is now an ageless 49.) Her physique invites wonder.

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“I just keep hoping we can do a series together like this because there are so many stones left unturned.”)From left: Marawa in orbit. (The constraints of production and travel during the pandemic inherently narrowed the scope, so “we couldn’t have all the performers, all the representation that I wanted to have,” adds Von Teese. “She has the fantasy feeling, and I love that she loves all the same performers”—a mix here that includes the tassel-twirling Dirty Martini, Marawa with her many hula hoops, Frankie Fictitious, Vontourage, Jett Adore, and Perle Noire with her homage to predecessors like Josephine Baker. The world of glittering pasties was a new avenue for the director, but “I loved Quinn’s enthusiasm for burlesque,” says Von Teese, who recognized Wilson’s sense of humor and palpable respect for the artists in her work. Everything is possible, from unobstructed wide-angle views to mesmerizing close-ups to a voyeuristic tour through backstage.Wilson, who began her career as Lizzo’s makeup artist before overseeing the musician’s creative direction, has become a singular voice in the music-video space, with projects for the likes of Ziwe and King Princess.

I filmed that last November.That’s fun. The same goes for Von Teese in conversation, below, talking about her dressed-down pandemic mode, a revelatory beauty find, and the taboos—about aging and aesthetic tweaks—she’s happy to leave behind.This special is exactly that! Actually, that’s not true: I made an appearance in the upcoming Harry Styles and Olivia Wilde movie, Don’t Worry Darling. (There’s also a bonus Dita beauty tutorial, along with a tassel-twirling lesson by Dirty Martini.) But there’s truth in the slip, in how convincingly in-the-moment it all feels, how visceral and true to life. ”It’s a streaming event,” she says of the 45-minute film. We’re fretting over my ballroom dance shoes because they’re so ugly!”) The three-day runtime for Night of the Teese carries with it the sense of a happening, though Von Teese has to correct herself when she calls it a livestream. (It’s not the only one: She is in Paris for the upcoming French version of Dancing with the Stars, with Jean-Paul Gaultier among the judges as we talk, Christian Louboutin gives her a ring.

In a lot of ways, every time I don’t perform for very long, I’m sure that I can never do it again. So it was really fun and exciting, but also daunting after not performing. It couldn’t be somebody else. They said they had to have me.

That wasn’t my best.” I’m sure you’ve talked to a lot of artists of all types I’ve sat next to a huge movie star that’s like, “I can’t watch my movies. I’m not overly confident.That’s entirely relatable, but also interesting to hear it come from you—because you’ve created this whole world that feels so self-empowered.I like having a good dose of self-doubt, or “I can probably do better than that. There’s that excitement, and at the end I go, “Was that okay?” I was okay.

It’s brutal for me.Honestly, I was trying to explain this to somebody. I do not have that thing in me that’s like, “I’m going to watch how amazing I am.” I just don’t. I have to force myself to watch myself on video, to critique myself.

What was your version of lower-key living?I did really let go! I remember having a call with my friend who just passed away, Ilona Royce Smithkin. I love people that are individuals, and it’s not just a glossy, sexy, pretty singing, “Look at me, I’m pretty and singing.”I sense that you, more than most people, didn’t settle into the sweatpants lifestyle of the past year and a half. I feel like I have these invisible heartstrings attached to other people like that. I loved Amy Winehouse, and also I knew Amy Winehouse, and she definitely had that fragile quality.

She said to me right at the beginning of the pandemic, “You’ve worked your whole life you’ve been traveling. I will take advice from older ladies any time they’ll give it to me. We would always talk on the phone from time to time.

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I was watching world-famous people doing that, and I thought, “I don’t want to dim my luster in this moment.” I was just afraid of making any missteps. My skin was glowing, and I just started learning how to do my own lashes, so that kind of gave me some confidence around the house.Did you have reservations about taking your show to a streaming platform?I don’t know about you, but I watched people that I admire, that are very talented, do their show from home on television—and, wow, without all the right show business and lights and audience energy, it kind of falls flat. I discovered this lash system called Lashify, which I became obsessed with—being my own lash-extension tech. I let my roots grow out, which are dishwater blonde with quite a bit of white, which I’m excited about having at one point. So I had my little jumpsuit onesies. Because there were a lot of things I wanted to do, like get better at mediation, and stuff that is not fun in show business, like taxes and paperwork and insurance—all that stuff that’s not covered in rhinestones.